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Note - the following is a
reprint of the above Los Angeles Sunday Times, dated March 31,
1929. Photographs are by - Pacific & Atlantic photos

Click to enlarge the above article
JUNIOR OLYMPIC GAMES
Los Angeles -
Atlantic City - Hawaii
The 75-Yard Dash
Instruction by means of
photographs for entrants in the 1929 Junior Olympic Games,
featuring Frank Wykoff of the Glendale Junior College, national
100-meter champion and third-place winner the the last (Junior)
Olympic Games, who has just returned to active competition after
a dangerous illness. The words of instruction accompanying
the photographs are by Boyd Comstock, director, Junior Olympic
Games, 1929, who in discussing the games said:
"I have liked to point out that in
the Junior Olympic Games program, every boy wins even though he
loses. By that I mean that an initial interest in his own
physical improvement cannot fail to produce a very definite
amount of good. It means that the actual winning of a
medal is a secondary consideration, for, after all, the winners
constitute a most limited group. The most pleasing feature
of this year's program has been the tendency toward a 100 per
cent enrollment rather than the selection of boys who already
have lifted themselves into local prominence by reason of their
athletic ability. These, I believe, take precedence over
the well-known and admitted civic advantages that come through any
well coordinated juvenile movement."
(Mr. Comstock, while he has never made
coaching and athletics a profession, nevertheless has
established a stellar record as a track-and-field mentor,
including the winning by the Citrus Union High School team, when
coached by him, of the Southern California, State and United
States championships; the capture of the Penn Relay championship
by a University of Southern California team under his tutelage,
and the building up of the Los Angeles Athletic Club team into a
national title holder. He also has found time to coach at
Yale, edit a series of internationally known text-books on track
and field athletics, and at the same time make a living in a
field that is in nowise associated with athletics. -- Ed.)
1.

On-your marks position. (Side
view.) Note the proper, easy relaxed position
which is essential to the correct getaway. A cramped
position at this stage of the start will be accentuated when
the printer gets set and will defeat the purpose of the
crouch start. Observe that the forward knee is
approximately on a line with the forward foot; it may be a
trifle ahead, behind, or even with it, according to the
build of the athlete. Relaxation of mind and body
always is a requirement when a sudden effort is desired and
every beginner should strive to develop this phase of the
form.
2.

On-your-marks position. (Front
view.) Frank Wykoff's success has been due in no
small part to his ability to combine this tranquility of
spirit -- so evident in this photograph -- with the furious
drive-away that accompanies the gun report. This pint
is again stressed because so many athletes waste their
surplus by badly-timed tension. It will be seen that
the starter's arms are spread sufficiently to allow freedom
and straight action when they get going. The tripod
finer-and-had position also is approximately correct.
Most champions use this position. It may be varied to
advantage dropping the thumbs back slightly for greater
stability and to lessen the strain on the inner arm muscles.
Note the straight ahead foot-and-knee position and the
slight but sufficient distance that separates the knee and
foot.
3.

Get-set position. (Side view.)
In this pose, Wykoff is obviously "set." In other
words, he has taken a position that gives you the impression
of poise and balance. A lack of this natural ease is
generally apparent when the athlete attempts to hold too
strictly to a standard position that does not suit his
physical requirements. As has been pointed out, any
variation of the suggested form may be proper if it permits
the athlete to carry out the fundaments of the form.
These, mentioned briefly, require that the get-set position
shall find the body supported by the arms and the forward
leg, and that the rear foot should be adjusted in such a
manner that a quick driving step may be taken by the rear
leg. Actually, it is all a matter of common sense.
If the sprinter leans over too far the weight is thrown on
the arms and the leg action is handicapped. He will
also have too great a tendency to fall forward. If he
does not allow the arms a share in the weight the tendency
is to bolt upward, and this also makes impossible the
forward lean angle. The rear knee of the sprinter
should be lifted a trifle -- it is now practically parallel
with the track. Most sprinters use this position -- as
shown -- and the only reason for the recommendation is
because it makes for an easier step position and naturally
saves a fraction. Observe that the arms are sustaining
their share of the body weight. The extent of the
forward lean varies with the build of the athlete and his
exact style. That is to say, every athlete, having a
natural aptitude, will work out a form which will give that
ability a chance.
4.

Get-set position. (Front
view.) The rear knee position in this photograph
brings out the suggestion made in the preceding caption.
Obviously there is a slight downward angle to the shin from
the knee to the ankle. The relaxation that was in
order in the first position is now succeeded by a tensed
alertness so that the forward drive will be instantaneous
with the gun report. Most champions overlook the
purpose of the arm swing because of their natural leg
strength, and merely carry the arms as balancers. This
fault should be remedied, as the crouch start is never
perfect when the arm action is not stressed.
5.

The getaway. The
importance of the preliminary weight distribution becomes
evident when photographs are taken at this stage of the
start. Note that Wykoff is driving out in the correct
style. The forward angle lean is very much in
evidence. He has got the value of the rear lifting
drive and he now is getting the full value of the forward
leg drive. His forward knee is lifted correctly and
his arms are cooperating to fair advantage. A few
champions have been able to get this angle without resorting
to an exaggerated arm swing, but most sprinters fail by its
lack as photographs of their getaway will show. To get
back again to common sense principles it is to be seen
plainly that Wykoff is driving ahead and that this angle
will be gradually lessened with succeeding steps. If
the lean was more evident it would not give the results, for
it would create a tendency to stumble. If it was more
upright, much of the force would be spent in gaining an
erect position and that is not the thing to be desired.
Remember that the first step should be a hop, rather than a
stride.
6.

Driving out of the marks. The forward lean is being
lessened and the arm action is very much in evidence.
This assistance from the upper portion of the body is most
important because it creates a tendency to lean forward and
naturally keeps the upper body ahead of the rear driving
leg. The sharply uplifted knee keeps the athlete from
over striding and adds force to the downward drive, which is
most important at this stage of the game. Even the
striding type of sprinter must cultivate the drive action
for the start if he is to develop any degree of speed.
The relaxed position of the upper body proves that the
champion is following the rule of only permitting the arms
and legs to participate in the action. By so doing he
gets a maximum amount of speed out of his assertions and
holds to his form.
7.

The finish. Wykoff is
using the orthodox style of finish which calls for a forward
upper lean and a driving-on-the-ground effort. The
latter is recommended. The upward arm thrust generally
tends to draw the chest away from the tape, but the outward
and upward action, as illustrated, will give good results.
Better still, the athlete can vary this procedure by
twisting the upper body slightly just as he takes the tape
and accentuate the forward lean by allowing one arm to hook
out in the reaching position. If this is developed it
will not throw the runner off balance, and it will save a
few inches at a time when this space may mean a win.
Naturally this arm action allows the sprinter to continue on
with his race to a point five yards or so beyond the finish
line, which is always recommended. Many a championship
has been lost because the athlete has eased up as the tape
has been hit and has been passed by a man that has been
taught to run out the race beyond the finish line. The
student of sprinting should pay particular attention to
Wykoff's perfect driving position -- as shown here -- and
maintenance of his all-round form. A study of finish
pictures will prove the most sprinters show a minimum amount
of style during the concluding yards of the sprint.
1929 JUNIOR OLYMPICS - PARADE OF
CELEBRITIES
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#1 1929 Junior Olympics Celebrities |
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June 2, 1929 - Los Angeles Times -- Celebrities & V.I.P.'s congregate to add excitement to the 1929 Junior Olympics. Left to right: Sig Nylander; Lady Heath; Leslie A. Henry; Boyd Comstorck; Charley Paddock; Herman Brix; Bud Houser; Frank Wykoff, and Douglas Fairbanks.
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#1a - 1929 Jr. Olympics ZOOM-IN |
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June 2, 1929 - Los Angeles Times - Jr. Olympics zoom- in. Left to Right: Sig Nylander, Lady Heath, Leslie A. Henry. |
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#1b - 1929 Jr. Olympics ZOOM-IN
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June 2, 1929 - Los Angeles Times - Jr. Olympics zoom- in. Left to Right: Boyd Comstock; Charlely Paddock, and Herman Brix. |
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#1c - 1929 Jr. Olympics ZOOM-IN
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June 2, 1929 - Los Angeles Times - Jr. Olympics zoom- in. Left to Right: Bud Houser, Frank Wykoff, and Douglas Fairbanks.
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#2 Athletic Stars Delight Youthful Sports Enthusiasts ... |
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6-4-29 - unknown newspaper source - article entitled: "An Added Feature" photographed left to right: Herman Brix, Shot Put; Bud Houser, Discus Throw; Frank Wykoff, Anchor - 400 Meter Relay Olympic Gold - Amsterdam; Douglas Fairbanks, movie producer; and Charley Paddock, 100M Olympic Gold Champion - 1920 & 1924.
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